Weekly movie reviews

By Bob Garver Author Colleen Hoover is apparently dominant in the genre of tearjerkers. She’s best known for “It Ends With Us,” about the upsetting subject of domestic violence. Now comes “Reminders of Him,” which features both a death and a torn-apart family. It wants to inspire tears of sadness and sympathy, but the best…

By Bob Garver The 2020’s haven’t been kind to once-great animation giant Pixar, at least with its original titles. “Onward” had its box office cut down by the pandemic. Three straight movies had to forgo theatrical releases and go straight to Disney+. “Lightyear” was the first movie from the studio that I couldn’t bring myself…

By Bob Garver “Scream” is easily my favorite horror franchise. It might be my favorite movie franchise overall, but especially in terms of horror. That’s why it really hurts me to say that “Scream 7” isn’t up to snuff. It’s not hard to see why this installment falls short, given its troubled production history. The…

By Bob Garver On the weekend of the biggest football game of the year, it was only natural that I saw a movie about basketball. Or rather “Roarball,” as the anthropomorphic animal characters call it – but it’s basketball. When he was just a kid (pun intended), young goat Will (Caleb McLaughlin) went to Roarball…

By Bob Garver Did you know that getting stranded on a deserted island has a way of shaking up social hierarchies? I suppose that was a big part of the plot for recent Best Picture Oscar nominee “Triangle of Sadness.” As well as the literary classic “Lord of the Flies.” And it’s represented on television…

By Bob Garver Audiences largely left last June’s zombie threequel “28 Years Later” thinking the same thing, “That was a good movie, but what the heck was up with that ending?” They were referring to the last-minute saving of young protagonist Spike (Alfie Williams) from a hoard of Infected by a gang of blonde-wigged, tracksuit-wearing…

By Bob Garver It’s time once again for that magical set of releases on the cinematic calendar: January Horror! Unable to get a Halloween release, unable to compete in blockbuster season, and unable to dominate a random weekend anywhere else on the calendar, January Horror movies are released at a time when their biggest competition…

By Bob Garver “The Housemaid” has unofficially sold itself based on how crazy it gets in its second half. This is slightly less annoying than when movies sell themselves based on their twist endings – at least here, the twist gets a chance to breathe, and maybe there will be other twists after the initial…

By Bob Garver Back in 2019, brothers Benny and Josh Safdie delivered one of the best films of the year, and possibly the decade, with “Uncut Gems.” The film was, as I wrote in a review earlier this year, “a 135-minute anxiety attack.” And I mean that in the best possible way – I have…

By Bob Garver All the way back in 2009, director James Cameron introduced the world to the planet Pandora and the Na’vi race in “Avatar.” The film soon set the record for all-time highest grossing movie at both the domestic and international box offices (it still holds the record for the latter). Sequel “Avatar: The…