Weekly movie reviews

“The Odyssey” By Bob Garver Few film adaptations require more ambition than Homer’s “The Odyssey,” the quintessential epic. And perhaps no filmmaker has been more ambitious this millennium than Christopher Nolan, the man who told an entire story backward with “Memento,” conquered the superhero genre with his “Dark Knight” trilogy, and dominated the Oscars three…

“Moana” By Bob Garver I am well aware of the case against Disney’s live-action remake of its 2016 animated hit “Moana,” namely that the original film is less than ten years old and doesn’t need a remake, and also that Disney live-action remakes are lazy cash-grabs in general. And I agree with a lot about…

By Bob Garver “Minions & Monsters” is the seventh cinematic outing for the Minions, and the third where they take center stage, as opposed to playing backup for former supervillain Gru. The jellybean-like animated gibberish-spewers all voiced by Pierre Coffin are once again taking the prequel route, as their story is told by a modern-day…

By Bob Garver Krypto the Superdog isn’t very cute in “Supergirl.” I understand that the way the pup was rendered for this film involved taking a real dog (who probably was very cute) and slathering CGI all over his likeness. The result is a dog whose face looks unnatural and with whom I couldn’t connect…

By Bob Garver Simply put, “Toy Story” is my favorite movie franchise of all time. The 1995 original about cowboy doll Woody (Tom Hanks) fighting for relevance against hi-tech spaceman action figure Buzz Lightyear (Tim Allen) was a groundbreaking first for computer animation – not to mention about the most fun a kid could possibly…

“Disclosure Day” By Bob Garver All-time-great director Steven Spielberg is back with a film built around one of his most popular subjects: aliens. From the man that brought us “Close Encounters of the Third Kind” and “E.T. the Extra-Terrestrial” comes “Disclosure Day,” a film about a small group of people deciding that it is time…

“Scary Movie” By Bob Garver From the fifth “Scream” movie proving a shockingly strong January release in 2022 to “Backrooms” opening to over $81 million just last weekend, the past few years have been some of the best ever for the horror genre. So it makes sense that this would be a good time to…

By Bob Garver Last week, I reviewed “The Mandalorian and Grogu,” which was based on a series that I hadn’t seen, but I was well-aware of its larger world and its place in popular culture. This week is “Backrooms,” which is also based on a series that I haven’t seen, and was in no way…

By Bob Garver With “The Devil Wears Prada 2” and “Michael” still ruling the domestic box office, I thought I’d give this week’s review spot to a couple of also-rans from the past two weeks. “Mortal Kombat II” The 2021 “Mortal Kombat” movie was a disaster that left fans disappointed for many reasons, not least…

By Bob Garver I had never seen 2006’s “The Devil Wears Prada” until a few weeks ago when I watched it in preparation for the sequel. I didn’t care for it, mainly due to the off-putting character of Miranda Priestly (Meryl Streep). I knew going in that the fashion magazine editor’s dialogue was filled with…