Movie Review: “Minions & Monsters”
By Bob Garver
“Minions & Monsters” is the seventh cinematic outing for the Minions, and the third where they take center stage, as opposed to playing backup for former supervillain Gru. The jellybean-like animated gibberish-spewers all voiced by Pierre Coffin are once again taking the prequel route, as their story is told by a modern-day movie studio tour guide (Allison Janney), though a further framing device modifies even that context.
At the beginning of the story, the Minions are once again searching the world for a new home in their inexplicable quest to serve the most despicable master possible despite not having an evil bone (or possibly any bones) in their bodies. A hulking cyclops seems like a good candidate (let’s see if this movie and “The Odyssey” in two weeks lead to a rise of cyclopes in pop culture), but a creative, ambitious Minion named James screws everything up for everyone. He also screws things up with a mummy, a pirate, and a wizard with a book of spells. Most of the Minions despise James’s antics, but friends Henry and Ed think he’s funny and stick by him.
Washing up on American shores sometime in the 1920’s, the Minions see an outlaw train robber and think he’ll make a great master. They destroy half a town just to track him down to offer their services, then they find out that he’s no outlaw at all. He’s an actor, the town is Hollywood, the train robbery was part of a movie from short-tempered director Max (Christoph Waltz), and the Minions ruined the take. Having used the last of his film, Max is forced to present the picture, Minions and all, to a pair of finicky studio executives (both voiced by Jeff Bridges). Surprisingly, the execs love the Minions and order them to be put into more films. The whole tribe becomes movie stars overnight.
To be clear, I love this portion of the film. The obvious love of – and constant references to – the golden age of Hollywood should earn admiration from any red-blooded cinema lover. I’m just not crazy about the parts that come before the Hollywood invasion and after the Minions fall from grace because they have a hard time transitioning to talkies (an appearance in “Citizen Kane” had me cracking up).
Eventually, the Minions again need to find a new master. Most of them settle on metallic space alien Dort (Jesse Eisenberg), who is either planning to invade Earth along with his home planet, or is just another actor in a clunky suit. The Minions help Dort in a cute romance with suffragette Debbie (Zoey Deutch), who is willing to spend time with him as long as he doesn’t kick children (it’s sweeter than it sounds)
Meanwhile, James and his cohorts, trying to stay in the movie business by turning to directing, crack open their old wizard master’s spellbook to summon a monster for their sci-fi movie. They can only manage the puny Goomi (Trey Parker), but he can summon other monsters, including insatiable blob Irene, who tries to consume Hollywood. Can the Minions clean up the mess they created? Can James complete his movie and win an Oscar? Can this franchise finally give us an installment where the Minions and/or Gru’s family go up against Will Arnett’s evil banker from the first “Despicable Me”? It’s been 16 years and it really bugs me that they’ve never seriously revisited that character.
The movie, as always, depends on your tolerance for the Minions’ lowbrow schtick. Here they’re most effective when the movie is actively celebrating the art of schtick. But that’s just part of the movie, and the rest of the time I feel that they miss more gags than they hit. Plus the last act drags as it tries to work in too many sci-fi elements. “Minions & Monsters” comes close to getting my recommendation, but it falls short by a margin thinner than a 1920’s mustache.
Grade: C
“Minions & Monsters” is rated PG for violence/action, language and rude/macabre humor. Its running time is 90 minutes.
Contact Bob Garver at [email protected].
